Second is the “introduction into he problem”. Nature: In Act 3, Iago planned to have Othello listen in on a conversation between himself and Cassio. What rhetorical question does Brabantio ask in Act 1? Othello has proclaimed an evening of festivities. answer choices . (2) Man vs. Act 4 Othello Questions Scene 1: 1. Othello has proclaimed an evening of festivities. Othello knows Desdemona is desirable, and that he himself isn't, but that doesn't bother him. 30 seconds . Roderigo. Examination Questions on Othello Question: What change does Iago produce in the character of Roderigo which enables him to maintain his control over him up to the very end? Explain: “Tis a monster begot upon itself, born on itself.” ... agreed to consider Iago's proposal because Iago had shown him how the removal of Cassio was necessary in the plan for Roderigo's having Desdemona. Othello speaks this quote to Iago after Iago has explained to him about Cassio’s involvement in a drunken brawl. ... From the way that Iago and Roderigo act in the first scene we can tell that Iago is superior to Roderigo and has more control. Answer: "Evil communications corrupt good morals. "She had eyes and chose me," Othello tells himself (3.3.187). Roderigo tries to stab Cassio, fails, gets stabbed himself, and looks to be in trouble until Iago sneaks up and stabs Cassio in the leg. Desdemona speaks up when Emilia is quiet, and answers back to Iago. RODERIGO Every day you put me off with some trick. "Why did I bother having children?" The Duke. Summary: Act III, scene i. He 1st got Roderigo to pester Cassio and influenced Cassio to drink. ... not even bothering to … At this point in the play, Othello has just come to after passing out from a fit of anger. Naturally, Cassio turns his drunken fury on Montano. Nature: In Act 3, Iago planned to have Othello listen in on a conversation between himself and Cassio. Her father appears to be a controlling man, and she stands up to him. Events work in Iago's favour. Roderigo says he was chosen because he favored not because he deserved it why does iago remain in the military under othello’s leadership iago remains in the military under othello’s leadership because he wants to take advantage of him; he sees himself as a servant … What does Iago mean when he says, “Sir, would she give you so much of her lips As of her tongue she oft bestows on me, You would have enough” (112-114)? Look at Iago’s soliloquy beginning at line 426. a. 4. Events work in Iago's favour. In the start of this scene Iago torments Othello by imbedding awful graphic images of Desdemona into Othello’s mind. SURVEY . Q. Act II scene i 1. Instead of finding opportunities for me, you seem to be preventing me from making any progress. Well, I won’t take it … This caused Cassio to fight with Roderigo and lose his place as lieutenant. Conflicts:(1) Man vs. Man: In Act 4 takes place a sword fight between Roderigo and Cassio. Thrusts at CASSIO RODERIGO thrusts his sword at CASSIO. Cassio asks the clown to entreat Emilia to come speak with … Othello Act 2 The scene is at a sea port in Cyprus, in an open place by the quay side. BRABANTIO You know I’m powerful enough to make you pay for this. ... "Who would be a father?" IAGO [To himself ] I rubbed this young pimple as much as I can, and he's getting angry. Emilia at first appears to be one of her husband Iago’s puppets. 2. "By constantly being brought in contact with lago, Roderigo cannot but be blackened by the soot which cleaves to him. 4) tragedy . This quote demonstrates Desdemona's strength and bravery. In an effort to win Othello’s good graces, Cassio sends musicians to play music beneath the general’s window. Othello has proclaimed an evening of festivities. 4. This is a setup for a fight between the two. Roderigo then enters, and Iago sends him off after Cassio. Why does he bother with Roderigo whom he despises for a fool? (2) Man vs. Roderigo Fancies Desdemona and Iago fools him into believing Cassio is making on her, later on in the play. Bynum ENG 201-02 22 April 2013 The Tragedy of Othello the Moor of Venice: Plot Analysis Title: The Tragedy of Othello the Moor of Venice Type:Play/Tragedy Author:William Shakespeare Theme:Jealousy is the theme. (1,3,197) “What, to kiss in private?” (1,5,197), “Or to be naked with her friend in bed An hour more, not meaning any harm?” These lines showcase the images Iago imbedded into Othello’s mind. What is Iago saying in lines 140-143? Iago continues to shoot the breeze with Montano when Roderigo runs in—chased by Cassio. Roderigo does listen to Iago, who tells him that Desdemona is in love with Cassio, so Roderigo needs to be valiant and do something that will anger Cassio and make him lose his job. In act 1 scene 1 Iago reveals his views on the roles of master and servant (in his case ancient) to Roderigo. Act IV, CONT’d. and shortly thereafter Emilia facilitates a meeting between Desdemona and Cassio, and encourages her mistress to advocate on behalf of Cassio. Events work in Iago's favour. Also Iago’s dominance over Othello is seen in Act 4 sn I … At first it showed the “good times”, which is othello and desdemona’s relationship before it was corrupted. At first Roderigo is incredulous at the idea that Desdemona could be in love with Cassio, but Iago keeps on talking, and Roderigo agrees to his plan. Two Venetian gentlemen run in at the sound of Cassio's screaming. In act 1 of Othello, how does Iago use his power of persuasion with Roderigo, Brabantio, and Othello to create his scheme to undo Othello? How does Iago maintain control over Roderigo? This is because The following act that led up to act 5, generally built. Othello sends his servant, a clown, or peasant, to tell the musicians to go away. ... not even bothering to … Act 2, Scene 3 lines 24 - 53 Iago gets Cassio drunk! RODERIGO RODERIGO. Who tells Brabantio that his new son-in-law is "far more fair than black?" Iago says how there are “many a duteous and knee crooking knave that…wears out his time, much like his master’s ass”. In Act 3 sn iii, in which Othello asks Iago to kneel next to him and make a pact in order to destroy Cassio and Desdemona, we cannot but notice the power Iago evokes in Othello. Act 5, Scene 1, Page 2 Enter CASSIO CASSIO enters. RODERIGO I know his gait, ’tis he.—Villain, thou diest! Iago is telling Othello to be patient and hide because Cassio is about to return. Act 2, Scene 3 lines 147 - 227 Othello investigates the brawl! Act 2, Scene 3 lines 54 - 120 Cassio attacks Roderigo! Act 2, Scene 3 lines 1 - 16 Othello celebrates his nuptials! Bother were tricked by Iago to fight one another in the dark. Iago’s opinions show his perceived superiority in his character. (Note his interactions with and language regarding Desdemona) 2. Roderigo then makes a threat that could make all of Iago's schemes blow up in his face. 26. Othello. Conflicts:(1) Man vs. Man: In Act 4 takes place a sword fight between Roderigo and Cassio. 3. If she won't, Roderigo threatens Iago, "assure yourself I will seek satisfaction of you" (4.2.199-200). Then Iago jumps to his side supporting him, as he said "What, man, there are ways to recover the general again. Iago’s opinions show his perceived superiority in his character. Iago says how there are “many a duteous and knee crooking knave that…wears out his time, much like his master’s ass”. He finally convinces Roderigo to believe that he would be able to win Desdemona’s affections, as Iago claims that either she will bore of Othello or he will bore of her. Roderigo, who has been courting Desdemona, is upset with the news that she has eloped with Othello, a great Moorish warrior who is now a general in the service of the ruler of Venice. How is Cassio portrayed in the beginning of this scene? If Roderigo lives, he will make me pay him back for all the gold and jewels I took from him as gifts for Desdemona. He subtly insults Othello by saying passing out is “unsuiting” for such a man. In act 1 scene 1 Iago reveals his views on the roles of master and servant (in his case ancient) to Roderigo. What is Iago's plan and purpose in act 1, scene 3 of Othello? It is revealed that he has previously warned Roderigo of his daughter, saying “My daughter is not for thee,” (Act One, Scene One), but she takes control.She speaks for herself instead of letting her father speak for her, and she defends her relationship with Othello. As Cassio hits Roderigo (who literally asked for it), Montano tries to stop him. Ironically, Othello assumes that Iago is being tactful and trying not to blame Cassio for what happened, whereas Iago has actually engineered the entire situation in order to get Cassio in trouble. Act 5 ends in a tragedy. "Who else wants to steal my daughter?" Tags: Question 11 . When Iago wants to set up the appearance of inappropriate behavior between Cassio and Desdemona, he decides that “my wife must move for Cassio to her mistress” (2.3.) ... not even bothering to investigate any further. RODERIGO Sir, sir, sir— Act 1, Scene 1, Page 5 BRABANTIO But thou must needs be sure My spirits and my place have in their power To make this bitter to thee. Act I, Scene I The play opens on a warm Venetian night, where a conversation is underway between Roderigo, a gentleman, and Iago, a soldier under Othello's command. Keith Tankard ... Roderigo is a stranger to everyone on Cyprus and will therefore not be recognised or brought to book for his role. Keith Tankard Knowledge4Africa.com ... Roderigo is a stranger to everyone on Cyprus and will therefore not be recognised or brought to book for his role. Now, whether he kills Cassio or Cassio kills him, or they each kill each other, it's all good for me. After reading Act 1, Scene 1, respond in one of the following ways: 1. Keith Tankard ... Roderigo is a stranger to everyone on Cyprus and will therefore not be recognised or brought to book for his role. Act 4, Scene 2, Page 10 I will indeed no longer endure it, nor am I yet persuaded to put up in peace what already I have foolishly suffered. Resulting in Roderigo’s death. The ship bearing Michael Cassio is the first to arrivefrom Venice. Iago pretends he just stumbled in himself, declares Roderigo to be the assailant, and stabs Roderigo to death before the man can claim otherwise. Othello has proclaimed an evening of festivities. Bother were tricked by Iago to fight one another in the dark. RODERIGO I know the sound of his walk.—Die, villain! Toward the end of Act 1 Iago begins to formulate his plan. In Act 4 Scene 1 Lines 91- 104 we see more of Iago’s manipulation of Othello. Ask a question and pose a possible answer. Resulting in Roderigo’s death. 3. Iago. 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